Showing posts with label local 638 records. Show all posts
Showing posts with label local 638 records. Show all posts

Monday, December 27, 2010

Rusty Willoughby shares a mixtape with Magnet!


"You can undoubtedly make a lot of musician friends when you play in a successful rock band. Luckily for Seattle-based artist Rusty Willoughby, he’s been in three. So for his most recent album, Cobirds Unite (out now on Local 638 Records), he teamed up with Rachel Flotard (Visqueen), Barret Martin (Screaming Trees), Barb Hunter (Afghan Whigs), Maggie Bjorklund (Mark Lanegan) and Johnny Sangster (Mudhoney), who add vocals and prowess on instruments such as vibraphone, violin, cello, banjo and pedal steel. The result is gorgeous folk rock with the perfect amount of country tinge, featuring tight duet vocals between Willoughby and Flotard. Get inside Willoughby’s head with this mix tape he made for MAGNET." Head over to Magnet to scope the jams!

Wednesday, December 1, 2010

Chris Estey gives "Cobirds Unite" a stellar review!


"But you don't need any deep knowledge of his pedigree to pine for Cobirds Unite. Itsounds like something he's been patiently planning his whole life for, is as timeless as Sweethearts of the Rodeo, and it's all happening right now. There's no reason not to start here, with these dozen gems." Read the rest over at Three Imaginary Girls!

Tuesday, November 16, 2010

Rusty Willoughby's Cobirds Unite out today!


Early Raves for Cobirds Unite:
"Rusty Willoughby offers up a dozen superbly written, subtle-emotive lonely journeys on his new album Cobirds Unite. It is probably the best sounding roots-oriented album I have heard in some time, and that means a lot when you have a voice as sweet and true as Willoughby's, backing vocals from Rachel Flotard, cello from Barb Antonio, a bunch of great picking and playing on various instruments by (producer) Johnny Sangster, and Tilman Herb on violin, among others." No Depression

"A haunting hush settles foglike over Cobirds’s beautiful folk-pop with minor canyon rock and alt.country leanings—aided by Martin’s vibraphone, Antonio’s cello, Sutherland’s dobro, Flotard’s dulcet duet vocals, and violin, banjo, and pedal steel. And songs such as the title track and chilling “Where are the Knives” are so gently soothing, you’ll almost miss their brooding base. Covers of “Do Right Woman” and “Streets of Baltimore” (both a la Flying Burrito Brothers versions) complete the scene." Big Takeover
"Everything about Rusty Willoughby’s Cobirds Unite is perfection, from the production to the talented backing musicians to Willoughby himself. This album can easily stand up to any bigger releases of 2010 and knock them on their asses and, frankly, it should be that way. Beautiful record Rusty, just beautiful." Innocent Words
"So yes. Cobirds Unite. Wistful. Country-tinged. Two warm, star-speckled voices playing up against each other, and hamonising. Some delightful Hammond organ. Haunting. Heavenly. Hiccoughing. Heroic, in a mild way. Makes me miss the bars and fast friendships and rancour of the Pacific Northwest something rotten." Everett True
"Cobirds Unite is a beautifully lush record with Willoughby’s acoustic rounded out by slide guitar, organs, violin, banjo and most importantly Flotard’s voice which nearly trades line for line and is a great match. The songs themselves range from a quiet Elliot Smith-ish “Seventeen Express”, the country sounds of the title track and the rock of “Find A Way Home” which does a good job of borrowing the riff from “Suffragette City”. Cobirds Unite is a solid release from front to back which hopefully will gain Rusty Willoughby the recognition he deserves." Reviler

Friday, November 5, 2010

Everett True on Cobirds Unite!

"So yes. Cobirds Unite. Wistful. Country-tinged. Two warm, star-speckled voices playing up against each other, and hamonising. Some delightful Hammond organ. Haunting. Heavenly. Hiccoughing. Heroic, in a mild way. Makes me miss the bars and fast friendships and rancour of the Pacific Northwest something rotten. Music for suburban romantics and homeless dreamers, music for folk who never fell out of love with music in the first place." Everett True