
Lists all the goings-ons and dirt-poop about all artists that Riot Act Media has the distinct pleasure of working with.

"You can undoubtedly make a lot of musician friends when you play in a successful rock band. Luckily for Seattle-based artist Rusty Willoughby, he’s been in three. So for his most recent album, Cobirds Unite (out now on Local 638 Records), he teamed up with Rachel Flotard (Visqueen), Barret Martin (Screaming Trees), Barb Hunter (Afghan Whigs), Maggie Bjorklund (Mark Lanegan) and Johnny Sangster (Mudhoney), who add vocals and prowess on instruments such as vibraphone, violin, cello, banjo and pedal steel. The result is gorgeous folk rock with the perfect amount of country tinge, featuring tight duet vocals between Willoughby and Flotard. Get inside Willoughby’s head with this mix tape he made for MAGNET." Head over to Magnet to scope the jams!

"But you don't need any deep knowledge of his pedigree to pine for Cobirds Unite. Itsounds like something he's been patiently planning his whole life for, is as timeless as Sweethearts of the Rodeo, and it's all happening right now. There's no reason not to start here, with these dozen gems." Read the rest over at Three Imaginary Girls!

Early Raves for Cobirds Unite:
"Rusty Willoughby offers up a dozen superbly written, subtle-emotive lonely journeys on his new album Cobirds Unite. It is probably the best sounding roots-oriented album I have heard in some time, and that means a lot when you have a voice as sweet and true as Willoughby's, backing vocals from Rachel Flotard, cello from Barb Antonio, a bunch of great picking and playing on various instruments by (producer) Johnny Sangster, and Tilman Herb on violin, among others." No Depression

"So yes. Cobirds Unite. Wistful. Country-tinged. Two warm, star-speckled voices playing up against each other, and hamonising. Some delightful Hammond organ. Haunting. Heavenly. Hiccoughing. Heroic, in a mild way. Makes me miss the bars and fast friendships and rancour of the Pacific Northwest something rotten. Music for suburban romantics and homeless dreamers, music for folk who never fell out of love with music in the first place." Everett True