"Dixie, but Creedence came from San Fran, so who cares? Their brand of Americana, a healthy heaping of folk smattered with horns and male/female dual vocals, refreshingly cuts loose at times with hot, fuzzy guitar solos. A song like “The Middle Distance” barrels forward with crashing drumbeats, swirling brass, and frenetic vocals and gives way to guitarist John Fanning’s blissfully overdriven leads." Read the rest of this review on Consequence of Sound.
Wednesday, November 16, 2011
The Loom's "Teeth" Gets High Marks On Consequence Of Sound
"Dixie, but Creedence came from San Fran, so who cares? Their brand of Americana, a healthy heaping of folk smattered with horns and male/female dual vocals, refreshingly cuts loose at times with hot, fuzzy guitar solos. A song like “The Middle Distance” barrels forward with crashing drumbeats, swirling brass, and frenetic vocals and gives way to guitarist John Fanning’s blissfully overdriven leads." Read the rest of this review on Consequence of Sound.
Subscribe to:
Post Comments (Atom)
Posts
1 comment:
Post a Comment